Described by The Daily Telegraph as ‘in a class of his own’ James Baillieu has been the prize-winner of the Wigmore Hall Song Competition, Das Lied International Song Competition, Kathleen Ferrier and Richard Tauber Competitions. He was selected for representation by Young Classical Artists Trust (YCAT) in 2010 and in 2012 received a Borletti-Buitoni Trust Fellowship and a Geoffrey Parsons Memorial Trust Award.
James has given solo and chamber recitals throughout Europe and further afield. He collaborates with a wide range of singers and instrumentalists from Lawrence Power, Jack Liebeck, the Elias and Heath Quartets to Sir Thomas Allen, Kiri te Kanawa, Annette Dasch, Pumeza Matshikiza, Allan Clayton, Gerard Collett, Ian Bostridge, Eri Nakamura, Catherine Wyn Rogers, Ben Johnson, Sarah-Jane Brandon, Ailish Tynan and Mark Padmore. Festivals and venues have included Wigmore Hall, Berlin Konzerthaus, Musikverein, Bridgewater Hall, National Concert Hall Dublin, Festpillene i Bergen, Spitalfields, Aldeburgh, Cheltenham, Bath, City of London, Aix-en-Provence, St Magnus, Derry and Norfolk & Norwich Festivals. As a soloist he has appeared in the Nottingham and Leeds International Series as well as at the Royal Festival Hall with the English Chamber Orchestra.
An experienced coach, James has worked regularly at the George Solti Accademia di Bel Canto in Italy (with Mirella Freni and Leo Nucci), was a repertory professor for the Encuentro de musica y Academia de Santander in Spain, has worked with Gerhard Schulz at the International Musicians Seminar in Prussia Cove and continues to coach for the Jette Parker Young Artists Programme at the Royal Opera House, Covent Garden. He is an alumnus of the Britten-Pears Young Artist Programme, a scholar for the Samling Foundation, participated in the European Liedforum in Berlin and in 2013 worked with Thomas Quastoff at the Verbier Festival Academy.
This season James curates a series of concerts in Perth including the Dvorak and Brahms Piano Quintets with the Heath Quartet as well as a series at the Brighton Festival. He has a solo recital at the Brunton Theatre in Musselburgh, recitals at the Barber Institute Birmingham, the Oxford Lieder Festival’s Schubert Project, Kettle’s Yard Cambridge, the Auditorium du Louvre, Paris and at the Verbier Festival with Mark Padmore. In the 2015/16 season James has his own 11-concert series at Wigmore Hall “Introducing James Baillieu” with Adam Walker, Jonathan McGovern, Ailish Tynan, Robert Murray, Henk Neven, Iestyn Davies, Allay Clayton and Mark Padmore amongst others.
Born in South Africa, James studied at the University of Cape Town and the Royal Academy of Music in London with Michael Dussek, Malcolm Martineau and Kathryn Stott. In 2007 he graduated with a Dip.RAM and received the Christian Carpenter Award in recognition of his outstanding achievements. He was appointed a Hodgson Junior Fellow in 2007, a Professor of Piano Accompaniment in 2011, and awarded an ARAM in 2012.
James Baillieu is in a class of his own, he is in the Gerald Moore/Graham Johnson bracket, a remarkable pianist.
… he was upstaged by his prodigiously gifted pianist. James Baillieu is surely the leader of the new generation of accompanists and will no doubt occupy the elite position currently held by such as Graham Johnson, Julius Drake, Malcolm Martineau and Roger Vignoles.
…”James Baillieu —a featured artist in the coming Wigmore Hall season —throwing off the virtuoso piano writing
with insouciant ease and shaping Schubert’s songlike melodies with the instinct of a natural singer’s accompanist.”
4 December 2015 – Wigmore Hall, with Iestyn Davies and Allan Clayton
“Last night’s Wigmore Hall recital by conter tenor Iestyn Davies and tenor Allan Clayton, accompanied by James Baillieu, was an all-round triumph: brilliantly programmed, superbly sung and very thought-provoking.”
David Nice, The Arts Desk, 5 December 2015
“James Baillieu was instrumental in the commission [Nico Muhly’sLorne ys my liking] and it was funded partly from his Borletti Buitoni Trust Fellowship funds. His reward was to help bring to life a remarkably striking new work, and one which rewarded Baillieu with a dazzling piano part which was far more than accompaniment.”
Robert Hugill, Planet Hugill, 6 December 2015
“Plaudits should also go to the excellent pianist, James Baillieu, who contributed much to the make-up of the programme and accompanied with an unassertive sensitivity and imagination that illuminated every aspect of both music and text”
Rupert Christiansen, Daily Telegraph, 7 December 2015
“…these wonderful singers and their excellent accompanist James Baillieu turned [Canticle II: Abraham and Isaac] into white-hot drama.”
Michael Church, The Independent, 7 December 2015
“Baillieu gave us some gorgeous iridescent modulations at the beginning of the first song and imaginative tone painting in the final song.”
Robert Beattie Seen and heard International, 7 December 2015
“There was keen intelligence in the programming, an ear for subtle literary and musical connections and significant personal investment … There was also some of the most sheerly beautiful singing and playing to be heard from this generation of musicians.”
Anna Picard, The Times, 7 December 2015
|Date of the event||Location of the event||Description of the event||Details and link to buy tickets|
|Thursday 25 to
Monday 29 August 2016
Pianist in residence at the Southwell Music Festival
|Info & Tickets|
James is professor of piano accompaniment, chamber music and a vocal coach at the Royal Academy of Music, London. His students have won vocal and piano awards in competitions such as the the Kathleen Ferrier, Gerald Moore and Royal Overseas League Competitions among others. He also works regularly with singers and pianists at the Samling foundation, Verbier Festival Academy and the Jette Parker programme of the Royal Opera House. He was a chamber music coach for the Encuentro de Música y Academia de Santander in Spain and worked with Gerhard Schulz at the International Musicians Seminar in Prussia Cove. His work as an adjudicator has included judging prizes at the British music colleges, Young Classical Artist Trust (YCAT), BBC Young Musician and the Royal Overseas League Competition.